"Die Zauberflöte, K.620 / Act 2: Marsch der Priester" by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1990. The duration of Die Zauberflöte, K.620 / Act 2: Marsch der Priester is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Die Zauberflöte, K.620 / Act 2: Marsch der Priester's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Kiri Te Kanawa, Cheryl Studer, Francisco Araiza, Olaf Bär, Samuel Ramey, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: Die Zauberflöte" album is number 1 out of 49. On top of that, Netherlands appears to be the country where this track was created. Die Zauberflöte, K.620 / Act 2: Marsch der Priester is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K.620 / Act 2: Marsch der Priester by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia" | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | C Major | 1 | 8B | 147 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Symphony No. 36 in C Major "Linz" K 425: II. Andante | Wolfgang Amadeus Mozart, Philharmonia Orchestra, Michael Collins | C Major | 0 | 8B | 135 BPM | ||
Piano Concerto No. 6 in B-Flat Major, K. 238: II. Andante un poco adagio | Wolfgang Amadeus Mozart, Géza Anda, Camerata Academica des Mozarteums Salzburg | E♭ Major | 0 | 5B | 70 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "Pa-pa-pa" (Papageno, Papagena) | Wolfgang Amadeus Mozart, Catherine Pierard, Andreas Schmidt, Sir Roger Norrington, London Classical Players | B♭ Major | 0 | 6B | 77 BPM |