Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner made "Easter Oratorio, BWV 249: Sinfonia" available on March 4, 2014. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 19 in Bach: Easter Oratorio & Actus tragicus by Johann Sebastian Bach, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Easter Oratorio, BWV 249: Sinfonia's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Easter Oratorio, BWV 249: Sinfonia by Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner is Allegro (fast, quick, and bright), since this song has a tempo of 121 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Marie-Claire Alain | B Minor | 0 | 10A | 71 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
"Weinen, Klagen, Sorgen, Zagen" BWV 12: Sinfonia | Johann Sebastian Bach, Ton Koopman | F♯ Minor | 0 | 11A | 109 BPM | ||
Gloria: Cum Sancto Spiritu | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 121 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Oboe Concerto in F Minor, TWV 51:f2: II. Largo | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 1 | 9A | 81 BPM | ||
Brandenburg Concerto No. 1 In F Major, BWV 1046: II. Adagio | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 78 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM | ||
Coronation Anthem No. 1, HWV 258 "Zadok the Priest” | George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 97 BPM | ||
Brandenburg Concerto No. 2 In F Major, BWV 1047: III. Allegro Assai | Cologne Chamber Orchestra, Johann Sebastian Bach | F Major | 4 | 7B | 112 BPM |