Wolfgang Amadeus Mozart, London Winds, Michael Collins's 'Mozart - Serenade K361 "Gran Partita" for 13 wind instruments: Adagio' came out on October 2, 2006. With this song being about 5 minutes long, at 5:08, "Mozart - Serenade K361 "Gran Partita" for 13 wind instruments: Adagio" by Wolfgang Amadeus Mozart, London Winds, Michael Collins is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, London Winds's "Mozart Serenades K361 'Gran Partita' & K388" album is number 3 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mozart - Serenade K361 "Gran Partita" for 13 wind instruments: Adagio's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart - Serenade K361 "Gran Partita" for 13 wind instruments: Adagio by Wolfgang Amadeus Mozart, London Winds, Michael Collins to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Davide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 0 | 7A | 144 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM | ||
Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Sinfonia concertante in E Flat Major for Oboe, Clarinet, Horn, Bassoon and Orch., K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Stephen Taylor, David Singer, William Purvis, Steven Dibner, Orpheus Chamber Orchestra | C Major | 2 | 8B | 162 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM |