Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer's 'Il barbiere di Siviglia (The Barber of Seville): Act I: Recitative: Adesso che si sono ritirati (Count Almaviva, Figaro, Bartolo)' came out on July 15, 2014. The duration of Il barbiere di Siviglia (The Barber of Seville): Act I: Recitative: Adesso che si sono ritirati (Count Almaviva, Figaro, Bartolo) is about 3 minutes long, at 3:09. Based on our data, "Il barbiere di Siviglia (The Barber of Seville): Act I: Recitative: Adesso che si sono ritirati (Count Almaviva, Figaro, Bartolo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Paisiello: Barbiere Di Siviglia (Il)". In this album, this song's track order is #8. Based on our statistics, Il barbiere di Siviglia (The Barber of Seville): Act I: Recitative: Adesso che si sono ritirati (Count Almaviva, Figaro, Bartolo)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Il barbiere di Siviglia (The Barber of Seville): Act I: Recitative: Adesso che si sono ritirati (Count Almaviva, Figaro, Bartolo) by Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D minor - Adagio | Alessandro Marcello, Senia Trubashnik, Luxembourg Radio Symphony Orchestra, Kurt Redel | C Minor | 1 | 5A | 71 BPM | ||
Andante e Rondo ungarese, Op. 35, J. 158 | Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp | C Major | 1 | 8B | 85 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Keyboard Concerto in D Major, Hob. XVIII:11, Arr. for Accordion and Chamber Orchestra: I. Vivace | Franz Joseph Haydn, Viviane Chassot | D Major | 1 | 10B | 82 BPM | ||
Elgar: Sea Pictures, Op. 37: II. In Haven "Capri", "Closely let me hold thy hand" (Allegretto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 66 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
La clemenza di Tito / Act 2: "Se mai senti spirarti sul volto" | Josef Mysliveček, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | E♭ Major | 1 | 5B | 76 BPM | ||
String Quartet in F Major, Hob.III:17: II. Andante Cantabile | Roman Hoffstetter, Quatuor Modigliani | C Major | 0 | 8B | 77 BPM | ||
Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 3, Nicht schnell | Robert Schumann, Albrecht Mayer, Markus Becker | A Minor | 0 | 8A | 169 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act II: Recitative: Nessun scriver mi vede (Rosina, Figaro, Bartolo) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | A Major | 1 | 11B | 132 BPM |