On November 19, 2010, the song "Latinoamérica (feat. Totó la Momposina, Susana Baca & Maria Rita)" was released by Calle 13, Totó La Momposina, Susana Baca, Maria Rita. With this song being about 5 minutes long, at 5:01, "Latinoamérica (feat. Totó la Momposina, Susana Baca & Maria Rita)" by Calle 13, Totó La Momposina, Susana Baca, Maria Rita is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 14 in Entren Los Que Quieran by Calle 13. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Latinoamérica (feat. Totó la Momposina, Susana Baca & Maria Rita)'s popularity is fairly popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Latinoamérica (feat. Totó la Momposina, Susana Baca & Maria Rita) by Calle 13, Totó La Momposina, Susana Baca, Maria Rita is Allegro (fast, quick, and bright), since this song has a tempo of 143 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Temes | iLe | F♯ Minor | 2 | 11A | 96 BPM | ||
Mil Horas - 1994 Remastered Version | Los Abuelos De La Nada | G Minor | 4 | 6A | 100 BPM | ||
Tengo Tu Love | Sie7e | G Major | 7 | 9B | 95 BPM | ||
La Sombra Negra | Totó La Momposina | A♭ Minor | 6 | 1A | 110 BPM | ||
Renacimiento | Kase.O | D♭ Major | 5 | 3B | 98 BPM | ||
Carmesí | Vicente Garcia | D♭ Major | 5 | 3B | 122 BPM | ||
El Mareo | Bajofondo, Gustavo Cerati | B Minor | 9 | 10A | 130 BPM | ||
La Complicidad | Cultura Profética | A Major | 7 | 11B | 129 BPM | ||
Contigo | Mala Rodríguez, Stylo G | F♯ Major | 8 | 2B | 117 BPM | ||
Antonia | Gondwana | C Major | 6 | 8B | 96 BPM |