Robert Schumann, Menahem Pressler, Emerson String Quartet's 'Piano Quintet in E flat, Op. 44: 1. Allegro brillante' came out on January 1, 1995. Since Piano Quintet in E flat, Op. 44: 1. Allegro brillante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Schumann: Piano Quintet, Op.22; Piano Quartet, Op. 47". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Piano Quintet in E flat, Op. 44: 1. Allegro brillante is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Quintet in E flat, Op. 44: 1. Allegro brillante by Robert Schumann, Menahem Pressler, Emerson String Quartet having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 10 in E-Flat Major, Op. 74 "Harp": 2. Adagio ma non troppo | Ludwig van Beethoven, Emerson String Quartet | A♭ Major | 1 | 4B | 136 BPM | ||
Piano Sonata in C minor, H.XVI No.20: 2. Andante con moto | Joseph Haydn, Alfred Brendel | E♭ Major | 0 | 5B | 66 BPM | ||
Violin Concerto No.1 in D, Op.6: 2. Adagio | Niccolò Paganini, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | B Minor | 1 | 10A | 83 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 60 BPM | ||
Piano Sonata No. 14 in A Minor, D. 784: III. Allegro vivace | Franz Schubert, Maria João Pires | C Major | 1 | 8B | 64 BPM | ||
String Quartet No. 1 in E Minor 'From My Life': String Quartet No. 1 in E Minor 'From My Life': IV. Vivace | Bedřich Smetana, Jerusalem Quartet | E Major | 3 | 12B | 125 BPM | ||
Piano Sonata No.3 in F sharp minor, Op.23: 3. Andante | Alexander Scriabin, Vladimir Ashkenazy | B Major | 0 | 1B | 67 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Schumann: Kinderszenen, Op. 15: No. 13, Der Dichter spricht | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 95 BPM | ||
Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM |