"The Vanishing Bridegroom, Act III: The Stranger Performs a Miracle" by Judith Weir, Stephen Jeffes, BBC Symphony Orchestra, Martyn Brabbins had its release date on September 2, 2014. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wier: The Vanishing Bridegroom by Judith Weir, Various Artists, Martyn Brabbins, BBC Symphony Orchestra. The song's track number on the album is #4 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The Vanishing Bridegroom, Act III: The Stranger Performs a Miracle is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Vanishing Bridegroom, Act III: The Stranger Performs a Miracle by Judith Weir, Stephen Jeffes, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 59 beats per a minute, the tempo markings of this song would be Lento (slowly). With The Vanishing Bridegroom, Act III: The Stranger Performs a Miracle being at 59 テンポ, the half-time would be 30 テンポ with a double-time of 118 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Canonic Studies, Op. 56: No. 1, Con moto egual’e dolce (Arr. for Orchestra by Robin Holloway) | Johannes Brahms, BBC Symphony Orchestra, Paul Mann | C Major | 0 | 8B | 126 BPM | ||
Triptych 07: Divine Spirit | Kastalski Mixed Choir | B♭ Minor | 2 | 3A | 124 BPM | ||
Plaisir n'ai plus | Ninfea Cruttwell-Reade, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 76 BPM | ||
Christ lag in Todesbanden, BWV 277 - 1 | Johann Sebastian Bach, The Hilliard Ensemble | D♭ Minor | 0 | 12A | 89 BPM | ||
The Little Litany | St.Petersburg Chamber Choir, Nikolai Korniev | A Minor | 2 | 8A | 75 BPM | ||
The Passing of the Year: No. 6. Adieu! farewell earth's bliss! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | B♭ Minor | 0 | 3A | 82 BPM | ||
Christus factus est, WAB 11 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | D Major | 2 | 10B | 116 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
Qui ne regrettoit | Jean Mouton, The Gesualdo Six, Owain Park | G Minor | 1 | 6A | 91 BPM | ||
Burial Sentences: VI. Thou Knowest, Lord | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | B♭ Major | 1 | 6B | 124 BPM |