Derya Türkan, Yurdal Tokcan, Murat Salim Tokac, Hakan Gungor, Fahrettin Yarkın, Nedyalko Nedyalkov, Dimitri Psonis, Driss El Maloumi, Pedro Estevan, Jordi Savall made "Marche Ottomane (Manuscrit Cantemir 209)" available on December 16, 2013. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 53 in Balkan - Honey and Blood by Jordi Savall. In terms of popularity, Marche Ottomane (Manuscrit Cantemir 209) is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Marche Ottomane (Manuscrit Cantemir 209) by Derya Türkan, Yurdal Tokcan, Murat Salim Tokac, Hakan Gungor, Fahrettin Yarkın, Nedyalko Nedyalkov, Dimitri Psonis, Driss El Maloumi, Pedro Estevan, Jordi Savall is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Taqsîm en maqâm : Dasht | Munir Bashir | G Minor | 2 | 6A | 113 BPM | ||
Usta'ya Saygı | Yurdal Tokcan | C Major | 7 | 8B | 115 BPM | ||
Iraqi Cafe | Alaa Majeed, Shaker Hassan, Ahmed Mukhtar | C Minor | 3 | 5A | 75 BPM | ||
Plainte de l’Exil / Duduk improvisation (Arménie) | Haïg Sarikouyoumdjian, Jordi Savall | B Minor | 0 | 10A | 144 BPM | ||
Ruse Kose (Serbie centrale) | Ági Szalóki, Bora Dugic, Slobodan Prodanović, Marko Lazović, Slobodan Marković, Mihailo Blam, Milan Nešović, Nedyalko Nedyalkov, Pedro Estevan | E Minor | 2 | 9A | 108 BPM | ||
Kürdîlihicazkâr Saz Semaisi | Reşat Aysu | G Minor | 4 | 6A | 140 BPM | ||
Narration XI (7): "Comment elle perpétue l’espèce humaine" / Musique: Folía: "Rodrigo Martínez" (Anonyme, improvisation d’après le villancico du C. M. Palacio No. 12) | Louise Moaty, Jordi Savall, Arianna Savall, Rolf Lislevand, Michael Behringer, Pedro Estevan | F Major | 3 | 7B | 143 BPM | ||
Ankara kalesi | Turkish Traditional | C Major | 4 | 8B | 98 BPM | ||
Sevdim Seni Ey İşvebâz - Nihâvend Şarkı | Murat Salim Tokac, Çukurova Devlet Senfoni Orkestrası | D Minor | 5 | 7A | 89 BPM | ||
Blue as the Turquoise Night of Neyshabur: II (feat. Karen Ouzounian) | Eric Jacobsen, Kayhan Kalhor, Sandeep Das, Karen Ouzounian | D Major | 3 | 10B | 137 BPM |