George Frideric Handel, Keith Jarrett's 'Suite No. 15 in D Minor for Harpsichord, HWV 447: 3. Sarabande' came out on September 1, 1995. With Suite No. 15 in D Minor for Harpsichord, HWV 447: 3. Sarabande being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Keith Jarrett's "Handel: Suites For キーboard" album is number 7 out of 29. Suite No. 15 in D Minor for Harpsichord, HWV 447: 3. Sarabande is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite No. 15 in D Minor for Harpsichord, HWV 447: 3. Sarabande by George Frideric Handel, Keith Jarrett to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: I. Avec douceur | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 112 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Lieder ohne Worte (Songs without Words), Book 4, Op. 53: No. 19 in A-Flat Major, Op. 53, No. 1 | Felix Mendelssohn, Péter Nagy | A♭ Major | 1 | 4B | 67 BPM | ||
Prelude No. 3 in C# Major from The Well-Tempered Clavier Book I, BWV 848 | Brad Mehldau | D♭ Major | 3 | 3B | 129 BPM | ||
Suite No. 5 in E Major, HWV 430: I. Prelude | George Frideric Handel, Murray Perahia | E Major | 1 | 12B | 127 BPM | ||
Fauré: 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major | Gabriel Fauré, Alexandre Tharaud | A♭ Major | 0 | 4B | 69 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Vivaldi / Arr Balsom: Violin Concerto in A Minor, RV 356: II. Largo | Antonio Vivaldi, Alison Balsom, Scottish Ensemble | D Minor | 0 | 7A | 77 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 2 in A Minor | Dmitri Shostakovich, Keith Jarrett | A Minor | 1 | 8A | 130 BPM |