George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's 'For Unto Us A Child Is Born - Live' had a release date set for January 1, 1987. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 12 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, For Unto Us A Child Is Born - Live is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of For Unto Us A Child Is Born - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: If Ye Love Me | Thomas Tallis, Choir of King's College, Cambridge, Philip Ledger | D Major | 1 | 10B | 135 BPM | ||
Bogoróditse Devo | Chorus Angelicus and Gaudeamus | F Major | 1 | 7B | 78 BPM | ||
Lieutenant Kije Suite, Op. 60: IV. Troika | Sergei Prokofiev, Slovak State Philharmonic Orchestra, Kosice, Andrew Mogrelia | E♭ Major | 0 | 5B | 102 BPM | ||
Magnificat: I. Magnificat anima mea | John Rutter, The Cambridge Singers, City of London Sinfonia | G Major | 1 | 9B | 142 BPM | ||
Carol of the Bells (arr. P.J. Wilhousky) | Mykola Dmytrovych Leontovych, Peter J. Wilhousky, Westminster Choir, Daniel Beckwith, Philadelphia Concerto Soloists, members, Joseph Flummerfelt | E♭ Major | 0 | 5B | 83 BPM | ||
Vom Himmel hoch: VI. Schlusschor "Lob, ehr sei Gott im höchsten Thron" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | C Major | 2 | 8B | 92 BPM | ||
Mozart: Ave verum corpus in D Major, K. 618 | Wolfgang Amadeus Mozart, Chamber Orchestra of Europe, Nigel Short | D Major | 0 | 10B | 81 BPM | ||
O Little Town Of Bethlehem | Choir of King's College, Cambridge, Andrew Davis, Sir David Willcocks | F♯ Major | 2 | 2B | 81 BPM | ||
Let My Prayer Come Up | William Henry Harris, Martin Neary, The Choir Of Westminster Abbey, Martin Baker | C Minor | 0 | 5A | 81 BPM | ||
Rejoice In The Lord Always | George Rathbone, Stockholm Gosskor, Erik Wadman, Roland Nilsson | B♭ Major | 1 | 6B | 83 BPM |