"Redes (suite): 2. Second Part" by Silvestre Revueltas, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz was released on January 1, 1994. Since Redes (suite): 2. Second Part is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz's "Musica Mexicana Vol. 4" album is number 2 out of 11. Based on our statistics, Redes (suite): 2. Second Part's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Redes (suite): 2. Second Part by Silvestre Revueltas, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz to be Allegro (fast, quick, and bright) because the track has a tempo of 146 テンポ, a half-time of 73テンポ, and a double-time of 292 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Horn Concertino in E Minor, Op. 45, J. 188: III. Polacca | Carl Maria von Weber, Czech Philharmonic Orchestra, Václav Neumann, Zdeněk Tylšar | E Major | 1 | 12B | 109 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
The Four Seasons of Buenos Aires: Otoño Porteño - "Autumn": Otoño Porteño - "Autumn" - Arranged by Leonid Desyatnikov | Astor Piazzolla, Lara St. John, Simón Bolívar Youth Orchestra of Venezuela, Edgar A. Calderon, Eduardo Marturet | D Minor | 1 | 7A | 134 BPM | ||
Janitzio | Silvestre Revueltas, Orquesta Sinfónica Nacional | B Minor | 4 | 10A | 122 BPM | ||
Canción tonta | Ana Häsler, Silvestre Revueltas, Enrique Bernaldo de Quirós | C Major | 0 | 8B | 80 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
La Bamba | Traditional, Orquesta Filarmonica de la Ciudad de Mexico, Herrera de la Fuente | F Major | 3 | 7B | 121 BPM | ||
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM |