Nicola Matteis, Gli Incogniti, Amandine Beyer's 'Fantasia I' came out on August 1, 2009. With Fantasia I being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Nicola Matteis, Gli Incogniti, Amandine Beyer's "Matteis: False Consonances of Melancholy" album is number 4 out of 40. On top of that, France appears to be the country where this track was created. Based on our statistics, Fantasia I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantasia I by Nicola Matteis, Gli Incogniti, Amandine Beyer to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Krebs: Auf meinen lieben Gott (Formerly Attributed to Bach as BWV 744) | Johann Ludwig Krebs, Ton Koopman | C Minor | 0 | 5A | 72 BPM | ||
Mystery (Rosary) Sonata No. 12 in C Major, The Ascension: II. Aria Tubicinum | Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti | F♯ Major | 2 | 2B | 99 BPM | ||
Sonata for Solo Violin in A Minor: IV. Variations | Johann Georg Pisendel, Isabelle Faust | A♭ Minor | 1 | 1A | 124 BPM | ||
Allegro in G Major, HWV 407 | George Frideric Handel, Bojan Čičić, Steven Devine | A♭ Major | 3 | 4B | 122 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: IV. Chaconne Gracieuse | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: II. Allemanda. Allegro | Michel Blavet, Claudio Ferrarini, Accademia Farnese | G Minor | 3 | 6A | 78 BPM | ||
Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Concerto grosso No. 5 in B-Flat Major, Op. 6: I. Adagio - Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo | A Major | 3 | 11B | 145 BPM | ||
Overture in G Minor: VI. Aria | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 1 | 11A | 153 BPM |