"A Voice in the Distance (from Játékok / Book 5) - Grand Piano" by György Kurtág, Víkingur Ólafsson was released on October 7, 2022. With A Voice in the Distance (from Játékok / Book 5) - Grand Piano being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 44 in From Afar by Víkingur Ólafsson, Béla Bartók, György Kurtág, Johannes Brahms, Johann Sebastian Bach, Robert Schumann, Sigvaldi Kaldalóns, Wolfgang Amadeus Mozart. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. A Voice in the Distance (from Játékok / Book 5) - Grand Piano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Voice in the Distance (from Játékok / Book 5) - Grand Piano by György Kurtág, Víkingur Ólafsson is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Sonata in D Minor, Kk. 32: Aria | Domenico Scarlatti, Claire Huangci | D♭ Minor | 4 | 12A | 153 BPM | ||
Scenes for Flute, Op. 39: IV. A Faltering Confession | György Kurtág, Alessandra Rombolà | C Major | 0 | 8B | 72 BPM | ||
Musette en rondeau | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 1 | 12B | 68 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Intimate Sketches: No. 13, Lord Jesus Christ is Born | Leoš Janáček, Olena Kushpler | B♭ Major | 1 | 6B | 99 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Játékok, Book 8: Responsorium (Pilinszky "Egy hófehér kar") | György Kurtág, Ani Sulkhanishvili, Nia Sulkhanishvili | F Major | 0 | 7B | 132 BPM | ||
Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem) | Lili Boulanger, Raphaela Gromes, Julian Riem | A Major | 2 | 11B | 78 BPM | ||
Bruyères | Claude Debussy, Víkingur Ólafsson | A♭ Major | 1 | 4B | 146 BPM |