"Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai" by Maurice Ravel, Alexandre Tharaud, Orchestre National De France, Louis Langrée was released on October 13, 2023. Since Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Ravel: Concertos - Falla: Noches en los jardines de España". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Alexandre Tharaud, Orchestre National De France, Louis Langrée having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love Story | Renaud Capuçon, Les Siècles, Duncan Ward | A Minor | 1 | 8A | 69 BPM | ||
Mozart: Fantasia in D Minor, K. 397 (Transcr. Lenaerts for Harp) | Wolfgang Amadeus Mozart, Anneleen Lenaerts | A Major | 1 | 11B | 133 BPM | ||
Bagatellen: III | Valentin Silvestrov | C Major | 0 | 8B | 72 BPM | ||
Au bord d'une source | Franz Liszt, André Laplante | A♭ Major | 2 | 4B | 70 BPM | ||
Executive - Clarinet and String Orchestra | Michele Mangani, Seunghee Lee, Manhattan Chamber Players | F Major | 1 | 7B | 123 BPM | ||
Étude No. 3: Ballade | Marie Awadis | B Major | 0 | 1B | 94 BPM | ||
3 Intermezzi, Op. 117: No. 3, Andante con moto | Johannes Brahms, Hélène Grimaud | D♭ Minor | 0 | 12A | 103 BPM | ||
Scarlatti, D: Keyboard Sonata in F Minor, Kk. 466 | Domenico Scarlatti, Fazıl Say | E♭ Minor | 0 | 2A | 90 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Pablo Ferrandez, Julien Quentin | D Major | 1 | 10B | 88 BPM |