"Pièces De Viole Du Livre III - Suite Vii En Sol Majeur - Gigue À L'Angloise" by Jordi Savall, Marin Marais was released on August 25, 2009. The duration of Pièces De Viole Du Livre III - Suite Vii En Sol Majeur - Gigue À L'Angloise is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Pièces De Viole Du Livre III - Suite Vii En Sol Majeur - Gigue À L'Angloise's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jordi Savall's "Marin Marais: Pièces De Viole Du Troisième Livre" album is number 18 out of 22. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Pièces De Viole Du Livre III - Suite Vii En Sol Majeur - Gigue À L'Angloise is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces De Viole Du Livre III - Suite Vii En Sol Majeur - Gigue À L'Angloise by Jordi Savall, Marin Marais to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
D'Après Le Mss. Flores De Música, 1357-60, Madrid Bibl. Nacional (1706-1709) (Martín Y Coll) | Jordi Savall | D Minor | 1 | 7A | 85 BPM | ||
Si De Vos Mi Bien (Instrumental) | Anónimo, Jordi Savall, Montserrat Figueras, La Capella Reial De Catalunya, Hespèrion XX | D Major | 0 | 10B | 108 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Schein: Banchetto musicale, Suite No. 6 in A Minor: III. Courente à 5 | Johann Hermann Schein, Hespèrion XX, Jordi Savall | C Major | 0 | 8B | 98 BPM | ||
Te Deum: IV. Pleni sunt caeli | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 4 | 3B | 96 BPM | ||
Partita Sopra La Follia | Alessandro Piccinini, Jordi Savall, Hespèrion XXI | F Major | 1 | 7B | 134 BPM | ||
Ay, Que Non Ay! | Anonymous, Jordi Savall | F Major | 1 | 7B | 107 BPM | ||
Concert XXVII: Bourrasque - Sarabande | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 0 | 12A | 140 BPM | ||
La Purpura della Rosa: El Amor de Venus y Adonis: Loa: Chinfonia | Antonio Martín y Coll, The Harp Consort, Andrew Lawrence-King | A Minor | 0 | 8A | 151 BPM |