"Holst : The Planets Op.32 : VI Uranus, the Magician" by Gustav Holst, Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Owain Arwel Hughes was released on December 2, 2005. Holst : The Planets Op.32 : VI Uranus, the Magician is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The track order of this song in Gustav Holst, Owain Arwel Hughes & Royal Philharmonic Orchestra, Owain Arwel Hughes, Royal Philharmonic Orchestra's "Holst : The Planets & Somerset Rhapsody (Apex)" album is number 6 out of 9. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Holst : The Planets Op.32 : VI Uranus, the Magician is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holst : The Planets Op.32 : VI Uranus, the Magician by Gustav Holst, Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Owain Arwel Hughes to be Presto (very, very fast) because the track has a tempo of 177 テンポ, a half-time of 88テンポ, and a double-time of 354 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto, Op. 14: III. Presto in moto | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | A Minor | 3 | 8A | 108 BPM | ||
Carmen Suite No. 1: I. Aragonaise | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Minor | 1 | 7A | 112 BPM | ||
Danzon No. 2 (arr. for wind ensemble) | Anonymous , Arturo Márquez, North Texas Wind Symphony, Eugene Migliaro Corporon | D Minor | 2 | 7A | 74 BPM | ||
Chorale and Shaker Dance | John P. Zdechlik, Concordia University Chicago Wind Symphony, Richard Fischer | G Major | 2 | 9B | 78 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
The Rite of Spring, Part 2: III .Glorification of the Chosen One | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D♭ Major | 6 | 3B | 137 BPM | ||
The Planets, Op. 32: VI. Uranus, the Magician | Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 3 | 8B | 115 BPM | ||
Printemps, L. 61: II. Modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 103 BPM | ||
English Folk Song Suite: II. Sea Songs | Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | A♭ Major | 2 | 4B | 116 BPM | ||
The Red Pony Suite: VI. Happy Ending | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 3 | 7B | 76 BPM |