Hildegard von Bingen, Carolin Widmann's 'Spiritus sanctus vivificans vita - Version I' came out on June 17, 2022. The duration of Spiritus sanctus vivificans vita - Version I is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Spiritus sanctus vivificans vita - Version I's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carolin Widmann, Eugène Ysaÿe, George Benjamin, George Enescu, Hildegard von Bingen, Johann Sebastian Bach's "L’Aurore" album is number 1 out of 13. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Spiritus sanctus vivificans vita - Version I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Spiritus sanctus vivificans vita - Version I by Hildegard von Bingen, Carolin Widmann to be Andante (at a walking pace) because the track has a tempo of 108 テンポ, a half-time of 54テンポ, and a double-time of 216 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4.2 Allemande (Arr. for Saxophone Quartet) | Peter Gregson, Signum Saxophone Quartet | E♭ Major | 0 | 5B | 170 BPM | ||
Gallardo pour violoncelle et tambourin | Vladimir Kobekin, Anastasia Kobekina, Tristan Pereira | G Major | 3 | 9B | 109 BPM | ||
Sonata No. 5 in G Major, Op. 27: I. L’Aurore | Eugène Ysaÿe, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
Using the Apostate Tyrant as His Tool | Kassia, Kronos Quartet | A Minor | 0 | 8A | 118 BPM | ||
O splendidissima gemma (Antiphon to Maria) [With canticum: Magnificat anima mea dominum (V fol. 154)] | Hildegard von Bingen, Sequentia, Benjamin Bagby | A Minor | 0 | 8A | 87 BPM | ||
11 Pezzi infantili, Op. 35: X. Berceuse | Alfredo Casella, Luca Ballerini | E♭ Major | 0 | 5B | 78 BPM | ||
Capona / Ciaconna | Giovanni Girolamo Kapsberger, Andrea Falconieri, Constantinople | C Major | 2 | 8B | 106 BPM | ||
Early Morning Melody (Transcr. Parkin for Soprano Saxophone) | Meredith Monk, Jess Gillam | G Minor | 0 | 6A | 72 BPM | ||
4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Harriet Krijgh, Magda Amara | G Major | 0 | 9B | 175 BPM |