"4 Scottish Dances, Op. 59: No. 1, Pesante" by Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin was released on March 1, 2012. The duration of 4 Scottish Dances, Op. 59: No. 1, Pesante is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. 4 Scottish Dances, Op. 59: No. 1, Pesante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 22 in Arnold for Band by Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, 4 Scottish Dances, Op. 59: No. 1, Pesante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Scottish Dances, Op. 59: No. 1, Pesante by Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pines Of Rome, P. 141: 4. The Pines Of The Appian Way | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | B Major | 3 | 1B | 166 BPM | ||
Bookmarks from Japan: VI. Hakone | Julie Giroux, University of North Texas Symphonic Band, Dennis Fisher | D Minor | 5 | 7A | 149 BPM | ||
Symphony No. 4: Measures 570-711 - | David Maslanka, Dallas Wind Symphony, Jerry Junkin | B♭ Major | 2 | 6B | 79 BPM | ||
Yiddish Dances: V. Freylachs. Allegro molto - Tempo di Khosidl | Adam Gorb, Royal Northern College Of Music Wind Orchestra, Clark Rundell | D Minor | 2 | 7A | 164 BPM | ||
Armenian Dances: I. The Apricot Tree - The Partridge's Song - Hoy, Nazan Eem - Alagyaz - Go, Go | Alfred Reed, Otonowa Wind Symphonica | B♭ Major | 1 | 6B | 108 BPM | ||
Epiphanies, "Fanfares and Chorales" | Ron Nelson, Dallas Wind Symphony | D Minor | 2 | 7A | 81 BPM | ||
Symphony No. 3, "Circus Maximus": VIII. Coda: Veritas | John Corigliano, University of Texas Wind Ensemble, Jerry Junkin | D♭ Minor | 5 | 12A | 87 BPM | ||
Paris Sketches: No. 3. Pere Lachaise | Martin Ellerby, North Texas Wind Symphony, Eugene Migliaro Corporon | A Minor | 0 | 8A | 135 BPM | ||
Hammersmith, Op. 52, H. 178 | Gustav Holst, Dallas Wind Symphony, Howard Dunn | A♭ Major | 0 | 4B | 118 BPM | ||
Working On the Bridge - From 'The Bridge On the River Kwai' | Malcolm Arnold | E♭ Major | 6 | 5B | 82 BPM |