John Cage, Third Coast Percussion's 'Living Room Music: III. Melody' had a release date set for June 5, 2012. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 14 in Cage: The Works for Percussion, Vol. 2 by John Cage, Third Coast Percussion, Greg Beyer, Ross Karre. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Living Room Music: III. Melody is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Living Room Music: III. Melody by John Cage, Third Coast Percussion is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet | Morton Feldman, Ensemble Recherche | A Major | 0 | 11B | 94 BPM | ||
Piano & Violoncello 7 | Irena And Vojtech Havlovi | C Major | 1 | 8B | 79 BPM | ||
8.VI.1810 ... zum Geburtstag R.A.Schumann: 2. Serenade | Valentin Silvestrov, Anja Lechner, Agnès Vesterman | E♭ Major | 0 | 5B | 0 BPM | ||
Eleven Intrusions I: Study on Olympos' Pentatonic | Harry Partch, Betty Johnston, Donald Pippin, Bill Snead, Ben Johnston | E♭ Major | 2 | 5B | 100 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 0 BPM | ||
Da Pacem Domine | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Minor | 1 | 7A | 77 BPM | ||
Hallelujah Junction: 3rd Movement | John Adams | C Minor | 3 | 5A | 113 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
Cello Sonata: I. Dialogo | György Ligeti, Miklós Perényi | F Major | 0 | 7B | 94 BPM | ||
Lento in due movimenti: I. Adagio | Toru Takemitsu, Kotaro Fukuma | F Minor | 0 | 4A | 137 BPM |