"Piazzolla / Arr. Zimmerman: Oblivion" by Astor Piazzolla, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra was released on February 26, 2021. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Piazzolla Stories". In this album, this song's track order is #2. Piazzolla / Arr. Zimmerman: Oblivion is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piazzolla / Arr. Zimmerman: Oblivion by Astor Piazzolla, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherezade, Op. 35: II. The Story of the Kalendar Prince | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 73 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Improvisation for Oud | Nikolai Rimsky-Korsakov, Borusan Istanbul Philharmonic Orchestra, Pelin Halkacı Alkın, Sascha Goetzel | E Minor | 0 | 9A | 136 BPM | ||
Sarabande - From Partita in C minor | Baptiste Trotignon | F Minor | 3 | 4A | 107 BPM | ||
Solitude (Arr. for Strings) | Duke Ellington, Neeme Järvi, Detroit Symphony Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
Soledad | Lupelius Ensemble, Astor Piazzolla | E Minor | 2 | 9A | 139 BPM | ||
Le piano d'Isabelle | Philippe Rombi | F Minor | 0 | 4A | 110 BPM | ||
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM | ||
5 Romances: Romance No. 4 'Saharan Sunrise' | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM |