Anonymous, Maximo Diego Pujol, Alexandra Hawley, Ricardo Cobo's 'Suite Buenos Aires (arr. for flute and guitar): I. Pompeya' came out on January 1, 2007. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 16 in Flute and Guitar Recital: Hawley, Alexandra / Cobo, Ricardo - Pujol, M.D. / Zenamon, J. / Domeniconi, C. / Cordero, E. (Festival Latino) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Suite Buenos Aires (arr. for flute and guitar): I. Pompeya's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suite Buenos Aires (arr. for flute and guitar): I. Pompeya by Anonymous, Maximo Diego Pujol, Alexandra Hawley, Ricardo Cobo is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Let All Human Flesh Be Silent | The Sirin Choir, Choirmaster: Andrey Kotov | D Major | 2 | 10B | 129 BPM | ||
Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Pérotin, Tonus Peregrinus, Antony Pitts | A♭ Major | 2 | 4B | 111 BPM | ||
Bogorodice, Devo, Radujsa | St. Peter St. Paul Cathedral Choir of Minsk | F Major | 1 | 7B | 124 BPM | ||
Messe de la toussaint : Offertoire justorum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | B Minor | 0 | 10A | 69 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Tempo Dell'Umiliazione E Della Morte. Inno: Pange Lingua | Canonici Regolari Di Sant'Antimo | D♭ Minor | 0 | 12A | 147 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Messe de Notre-Dame: XI. Communion. Responsum accepit Symeon | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | E♭ Major | 1 | 5B | 97 BPM | ||
Hymnus, Veni Creator Spiritus | Choir of Beirut | B♭ Major | 0 | 6B | 70 BPM |