François Couperin, Gustav Leonhardt's 'Couperin: Messe à l'usage ordinaire des paroisses: Offertoire sur les grands jeux' came out on February 14, 2022. Since Couperin: Messe à l'usage ordinaire des paroisses: Offertoire sur les grands jeux is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 19 in Couperin, Poglietti, Grigny & Rameau: キーboard Works by Gustav Leonhardt, François Couperin, Jean-Philippe Rameau. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Couperin: Messe à l'usage ordinaire des paroisses: Offertoire sur les grands jeux is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Couperin: Messe à l'usage ordinaire des paroisses: Offertoire sur les grands jeux by François Couperin, Gustav Leonhardt is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 1. Prelude | Paul Bazelaire, François Couperin, Amit Peled, Eliza Ching | B♭ Major | 0 | 6B | 79 BPM | ||
Capriccio in B Minor, Op. 76, No. 2 | Johannes Brahms, Arcadi Volodos | B Major | 1 | 1B | 84 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": II. Andante | Wolfgang Amadeus Mozart, Víkingur Ólafsson | G Major | 0 | 9B | 122 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 1. Prelude | Paul Bazelaire, François Couperin, Lynn Harrell, Angeli Ensemble | G Minor | 2 | 6A | 98 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Symphony in D Major, F. 29: II. Andante grazioso | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 81 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM |