Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz made "Overture, Scherzo and Finale, Op. 52: Scherzo - Vivo" available on August 7, 2012. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Schumann: Manfred: Overture - Piano Concerto - Overture, Scherzo and Finale". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Overture, Scherzo and Finale, Op. 52: Scherzo - Vivo's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Overture, Scherzo and Finale, Op. 52: Scherzo - Vivo by Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka No.4 In E Flat Minor Op.6 No.4 | Frédéric Chopin, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 141 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Fantasy In C Major "Wanderer" - Solo Piano, D 760: Presto | Franz Schubert, Evgeny Kissin | D♭ Major | 1 | 3B | 87 BPM | ||
Albumblatter, Op. 124: Schlummerlied | Robert Schumann, Dénes Várjon | B♭ Major | 1 | 6B | 146 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: Overture | Seattle Symphony Orchestra, Felix Mendelssohn, Gerard Schwarz | A Major | 1 | 11B | 138 BPM | ||
Piano Concerto No. 1 in D Major, Op. 17: 3. Allegro con fuoco | Camille Saint-Saëns, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | F Major | 0 | 7B | 107 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 2, Wanderlied | Bedřich Smetana, Jitka Čechová | A Major | 1 | 11B | 146 BPM |