"The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo" by Thomas Adès, Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd was released on December 31, 1998. The duration of The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 24 in Adès: Living Toys by Thomas Adès. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo by Thomas Adès, Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wasserklavier | David Arden | B♭ Minor | 0 | 3A | 79 BPM | ||
Winterreise, Op. 89, D. 911: No. 13, Die Post | Franz Schubert, Ian Bostridge, Thomas Adès | F Major | 1 | 7B | 74 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
Nocturne | Lili Boulanger, Janine Jansen, Itamar Golan | F Major | 0 | 7B | 85 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Music for a While (from Oedipus, Z. 583) | Henry Purcell, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Piano Concerto, Op. 38: 2. Moderato | Samuel Barber, Elizabeth Joy Roe, London Symphony Orchestra, Emil Tabakov | D Major | 1 | 10B | 110 BPM | ||
Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM |