On 2011, the song "Kapitel 50 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Allen's "Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag (Ungekürzt)" album is number 50 out of 194. Kapitel 50 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 50 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Larghetto (rather broadly) because the track has a tempo of 63 テンポ, a half-time of 32テンポ, and a double-time of 126 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: La traviata, Act 3: "Parigi, o cara, noi lasceremo" (Annina, Violetta, Alfredo) | Giuseppe Verdi, Ines Marietti, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica della RAI | A♭ Major | 1 | 4B | 83 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Divinité de grandes âmes | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli | C Major | 2 | 8B | 127 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Medea (Medee) (Sung in Italian): Act III: Oh Dei, pieta di noi! (Chorus, Medea) | Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno | D♭ Major | 2 | 3B | 83 BPM | ||
Romeo and Juliette, Act III: Ah! jour de deuil et d'horreur et d'alarmes | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Medea (Medee) (Sung in Italian): Act III: T'arresta! (Medea, Giasone, Chorus, Neris) | Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno | D♭ Major | 3 | 3B | 132 BPM | ||
Cherubini: Medea, Act 1: "Qui tremar devi tu" (Creonte, Glauce, Chorus) | Luigi Cherubini, Giuseppe Modesti, Renata Scotto, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | B Minor | 3 | 10A | 137 BPM | ||
Der fliegende Holländer, WWV 63 / Act 2: "Du böses Kind, wenn du nicht spinnst" | Richard Wagner, Chicago Symphony Orchestra, Sir Georg Solti, Isola Jones, Chicago Symphony Chorus | A Major | 3 | 11B | 87 BPM | ||
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM |