"Air De Soprano Extrait De La Cantate BWV 202 - Weichtet Nur, Bertrubte Schatten (J.S. Bach)" by Emile Naoumoff was released on 1998. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Emile Naoumoff's "Jean-Sebastien Bach - Transcriptions Pour Piano" album is number 10 out of 13. Based on our statistics, Air De Soprano Extrait De La Cantate BWV 202 - Weichtet Nur, Bertrubte Schatten (J.S. Bach)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Air De Soprano Extrait De La Cantate BWV 202 - Weichtet Nur, Bertrubte Schatten (J.S. Bach) by Emile Naoumoff to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude, Op. 11 No. 1 | Anatoly Lyadov, Yoko Kikuchi | G Major | 0 | 9B | 69 BPM | ||
Molino: Duo No. 3, Op. 16: I. Andantino | Emmanuel Pahud, Christian Rivet | G Major | 0 | 9B | 167 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
MAZURKA OP.67, NO.3 | Emile Naoumoff | E Minor | 1 | 9A | 61 BPM | ||
Passion Selon Saint Matthieu BWV 244 - Aus Liebe Will Mein Heiland Sterben (J.S. Bach) | Emile Naoumoff | A Minor | 0 | 8A | 80 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Petite Suite: Nocturne | Alexander Borodin, Alexander Krichel | E Minor | 1 | 9A | 66 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Dans l'immense tristesse | Lili Boulanger, Emile Naoumoff, Doris Reinhardt | F♯ Major | 0 | 2B | 174 BPM | ||
S'inviter | Catherine Marchese, Emile Naoumoff | A Minor | 0 | 8A | 66 BPM |