"Matrozenlied" by Werner Richard Heymann, Frommermann had its release date on January 1, 2009. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Frommermann's "Holland-America Line" album is number 12 out of 20. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Matrozenlied's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matrozenlied by Werner Richard Heymann, Frommermann to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo, erste Liebe.2 & Berliner Bohème & Im ersten Weltkrieg.1 - Werner Richard Heymann - Leben | Werner Richard Heymann | B♭ Major | 4 | 6B | 123 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Von der Tann-Marsch | Andreas Hager, Das Musikkorps Der Bundeswehr | E♭ Major | 6 | 5B | 108 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Nibelungenlied: XIV. Wir suln den herren | Anonymous, Eberhard Kummer | B♭ Major | 2 | 6B | 112 BPM | ||
Lincke: Frau Luna: "Schlösser, die im Monde liegen" (Marie) | Paul Lincke, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Kapitel 12 - Schelmereien | Heinz Erhardt | A Minor | 1 | 8A | 95 BPM | ||
Wie Wasser | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Minor | 1 | 8A | 121 BPM | ||
When the Saints | Rijssens Mannenkoor | E♭ Major | 3 | 5B | 140 BPM | ||
Walton: Façade: IX. Tarantella | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Michael Flanders | E♭ Major | 4 | 5B | 131 BPM |