Johann Sebastian Bach, Karl-Friedrich Beringer's 'Weihnachtsoratorium, BWV 248: No. 10, Sinfonia' came out on 2012. With this song being about 5 minutes long, at 5:17, "Weihnachtsoratorium, BWV 248: No. 10, Sinfonia" by Johann Sebastian Bach, Karl-Friedrich Beringer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 65 in Bach: Weihnachtsoratorium, BWV 248 by Johann Sebastian Bach, Windsbacher Knabenchor, Karl-Friedrich Beringer, Martin Lehmann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Weihnachtsoratorium, BWV 248: No. 10, Sinfonia is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Weihnachtsoratorium, BWV 248: No. 10, Sinfonia by Johann Sebastian Bach, Karl-Friedrich Beringer is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
God Rest You Merry Gentlemen - Arr. For String Orchestra | Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 1 | 9A | 133 BPM | ||
Early Snowfall | Jim Brickman | D Major | 0 | 10B | 70 BPM | ||
Joy to the World | Chad Lawson | D Major | 2 | 10B | 138 BPM | ||
Come Thou Long Expected Jesus | Anne Stahl | F Major | 1 | 7B | 69 BPM | ||
Messiah, HWV 56: Pt. I: Pifa (Pastoral Symphony): Larghetto e mezzo piano | George Frideric Handel, Max Emanuel Cenčić, Charles Humphries, Ivan Sharpe, Robert Torday, Chorus Viennensis, Academy Of London, Peter Marschik | D Major | 2 | 10B | 104 BPM | ||
Christmas Tree Suite, Op. 21: I. Waltz | Vladimir Rebikov, Royal Ballet Sinfonia, Gavin Sutherland | F♯ Minor | 1 | 11A | 130 BPM | ||
Concerto Grosso In G Minor, Op. 6, No. 8, "Christmas Concerto" : I. Vivace - Grave | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | G Major | 0 | 9B | 52 BPM | ||
Driving Home for Christmas (Piano Version) | Michael Forster | F♯ Minor | 0 | 11A | 75 BPM | ||
Messiah, HWV 56 / Pt. 1: Pifa (Pastoral Symphony) | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 75 BPM | ||
Deck The Halls With Boughs Of Holly | Anonymous, John Alldis Choir, London Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 103 BPM |