Maurice Yvain, Les Frivolités Parisiennes, Philippe Brocard made "Yes!, Act I: No. 7, Le Roi du vermicelle Gavard" available on March 22, 2024. With Yes!, Act I: No. 7, Le Roi du vermicelle Gavard being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Maurice Yvain, Les Frivolités Parisiennes's "Maurice Yvain: Yes!" album is number 15 out of 52. On top of that, France appears to be the country where this track was created. Yes!, Act I: No. 7, Le Roi du vermicelle Gavard is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Yes!, Act I: No. 7, Le Roi du vermicelle Gavard by Maurice Yvain, Les Frivolités Parisiennes, Philippe Brocard to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
España, Op.236 | Émile Waldteufel, Vienna Volksoper Orchestra, Franz Bauer-Theussl | F Major | 2 | 7B | 128 BPM | ||
Lincke: Frau Luna: "Schlösser, die im Monde liegen" (Marie) | Paul Lincke, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM | ||
Across Fields and Meadows | Marcel Barsotti | D Major | 1 | 10B | 84 BPM | ||
La Tempestad, Acto I: Preludio - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Orquesta De Camara De Madrid, Ataúlfo Argenta, Jose Perera | A♭ Major | 2 | 4B | 102 BPM | ||
Piano Concerto No. 1 "Scapegoat": IV. Violente | George Lloyd, Martin Roscoe, BBC Philharmonic | D Minor | 2 | 7A | 133 BPM | ||
Wettrennen-galoppe, Op. 29a | Slovak Sinfonietta, Zilina, Johann Strauss I | D Major | 2 | 10B | 150 BPM |