"Stockholms Kantat, Pt. 2: XIII. Nattlig duett" by Johan Hammerth, Katarina Dalayman, Loa Falkman, Swedish Radio Symphony Orchestra, Leif Segerstam was released on May 1, 2011. Since Stockholms Kantat, Pt. 2: XIII. Nattlig duett is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johan Hammerth, Leif Segerstam, Swedish Radio Choir, Eric Ericson Chamber Choir's "Hammerth: Stockholms Kantat" album is number 12 out of 13. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Stockholms Kantat, Pt. 2: XIII. Nattlig duett is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stockholms Kantat, Pt. 2: XIII. Nattlig duett by Johan Hammerth, Katarina Dalayman, Loa Falkman, Swedish Radio Symphony Orchestra, Leif Segerstam to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Film music for Henry V: 2 Pieces for Strings: II. Passacaglia: Death of Falstaff | William Walton, Bournemouth Sinfonietta, Richard Studt | E Minor | 0 | 9A | 79 BPM | ||
Saint-Saëns: Carnival of the Animals: IV. Tortoises | Camille Saint-Saëns, Antonio Pappano, Martha Argerich, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 0 | 6B | 82 BPM | ||
Hahn: Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Philippe Jaroussky | B Major | 0 | 1B | 83 BPM | ||
Trois chansons de Bilitis, L. 90: No. 1, La flûte de Pan | Claude Debussy, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 0 | 2B | 85 BPM | ||
Solar Plexus: II. Mercurius | Stellan Sagvik, Kinga Prada | C Major | 0 | 8B | 73 BPM | ||
Summer Sunset (arr. J. Lloyd Webber for 2 cellos and piano) | Roger Quilter, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 174 BPM | ||
The High Mass: Gloria: Qui tollis peccata mundi (Chorus) | Sven-David Sandström, Lena Hoel, Siri Torjesen, Sara Olsson, Annika Skoglund, Peter Bengtson, Marianne Eklof, Swedish Radio Choir, Eric Ericson Chamber Choir, Swedish Radio Symphony Orchestra, Leif Segerstam | B♭ Major | 5 | 6B | 123 BPM | ||
Bachianas brasileiras No. 1: I. Introduction: Embolada | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | G Minor | 1 | 6A | 91 BPM | ||
Raga Music: Vibhasa (Sunrise) | John Mayer, José María Belló García | A♭ Major | 0 | 4B | 135 BPM | ||
String Quartet No. 10, Op. 118: III. Adagio | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM |