"Nunc Dimittis: Nunc dimittis" by Arvo Pärt, South Dakota Chorale, Brian A. Schmidt was released on February 1, 2015. With this song being about 5 minutes long, at 5:06, "Nunc Dimittis: Nunc dimittis" by Arvo Pärt, South Dakota Chorale, Brian A. Schmidt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Sacred Songs of Life & Love". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Netherlands. Nunc Dimittis: Nunc dimittis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nunc Dimittis: Nunc dimittis by Arvo Pärt, South Dakota Chorale, Brian A. Schmidt having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
4 Postludes for Piano & String Orchestra: No. 1. Larghetto - Andante | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | C Major | 0 | 8B | 95 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
Pärt: Missa syllabica: Ite missa est | Arvo Pärt, Tõnu Kaljuste, Aarne Talvik, Evelin Saul, Kaia Urb, Mati Turi, Tiit Kogermann, Vilve Hepner | A Minor | 2 | 8A | 82 BPM | ||
Duet | Steve Reich, Daniel Hope, Simos Papanas, Kammerorchester Basel | F Major | 2 | 7B | 140 BPM | ||
Pärt: Summa | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | G Minor | 2 | 6A | 105 BPM | ||
Vladimir's Blues 2018 | Max Richter | A Major | 2 | 11B | 99 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 0 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM |