"I Shall Not See the Shadows" by Christopher Tin, Voces8, Royal Philharmonic Orchestra, Barnaby Smith was released on September 30, 2022. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Lost Birds". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. I Shall Not See the Shadows is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Shall Not See the Shadows by Christopher Tin, Voces8, Royal Philharmonic Orchestra, Barnaby Smith having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Passing of the Year: I. Invocation | Jonathan Dove, Voces8 | E Minor | 1 | 9A | 168 BPM | ||
Go The Distance - From "Hercules" | Royal Philharmonic Orchestra | D Major | 2 | 10B | 85 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
The Power of the Spirit | Christopher Tin, Royal Opera Chorus, Royal Philharmonic Orchestra, William Spaulding | A Major | 1 | 11B | 130 BPM | ||
God Grant with Grace | Thomas Tallis, Voces8 | B♭ Minor | 0 | 3A | 79 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Royal Philharmonic Orchestra, Antal Doráti | B♭ Major | 0 | 6B | 135 BPM | ||
Magnificat | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | F Minor | 0 | 4A | 81 BPM | ||
Vespers, Op. 37: V. "Nyne otpushchayeshi" | Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | F♯ Major | 0 | 2B | 135 BPM | ||
Lo, the full, final sacrifice, Op.26: Amen | Gerald Finzi, Choir of New College, Oxford, Edward Higginbottom | E Major | 1 | 12B | 69 BPM | ||
Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | F Major | 1 | 7B | 129 BPM |