"Adagio For Strings, Op.11/2 - Live" by Samuel Barber, Baltimore Symphony Orchestra, David Zinman was released on January 1, 1992. Since Adagio For Strings, Op.11/2 - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Barber: Adagio; Symphony No.1 etc. by Samuel Barber, Baltimore Symphony Orchestra, David Zinman. Adagio For Strings, Op.11/2 - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio For Strings, Op.11/2 - Live by Samuel Barber, Baltimore Symphony Orchestra, David Zinman is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio for Strings and Organ in G minor | Remo Giazotto, Maria Teresa Garatti, I Musici | C Minor | 1 | 5A | 111 BPM | ||
The Banks of Green Willow | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 90 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Bavarian Radio Symphony Orchestra, Mariss Jansons | C Minor | 1 | 5A | 75 BPM | ||
Mina | Edward Elgar, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 0 | 6B | 85 BPM | ||
Venus - Die Planeten | Gustav Holst, Sir Simon Rattle, Berliner Philharmoniker | B♭ Minor | 0 | 3A | 59 BPM | ||
Vaughan Williams: The Lark Ascending (Excerpt) | Ralph Vaughan Williams, Andrew Davis, Tasmin Little, BBC Symphony Orchestra | E Minor | 0 | 9A | 174 BPM | ||
Spiegel im Spiegel | Arvo Pärt, Michael Collins, Michael McHale | G Major | 1 | 9B | 135 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 75 BPM | ||
Passage of Time | Rachel Portman | E Minor | 0 | 9A | 94 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM |