"Hamlet, Op. 67" by Polish National Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky was released on October 30, 1992. Hamlet, Op. 67 appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Tchaikovsky: Symphony No. 1 / Hamlet Overture". In this album, this song's track order is #5. Based on our statistics, Hamlet, Op. 67's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hamlet, Op. 67 by Polish National Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky having a テンポ of 144 with a half-time of 72 テンポ and a double-time of 288 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Scheherazade, Op. 35: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Maria Larionoff, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 2 | 5A | 119 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Má vlast (My Country): No. 5, Tábor | Bedřich Smetana, Polish National Radio Symphony Orchestra, Antoni Wit | D Minor | 0 | 7A | 121 BPM | ||
Notturno Op. 70 No. 1 | Giuseppe Martucci, Czecho-Slovak State Philharmonic Orchestra of Kosice, Johannes Wildner | F♯ Major | 1 | 2B | 80 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM |