Antonio Lotti, Harvard University Choir, Harvard Baroque Chamber Orchestra, Murray Forbes Somerville's 'Missa in E Minor: Kyrie eleison I' came out on January 1, 1998. The duration of Missa in E Minor: Kyrie eleison I is about 3 minutes long, at 3:12. Based on our data, "Missa in E Minor: Kyrie eleison I" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Antonio Lotti, Murray Forbes Somerville, Nancy Granert's "Lotti, A.: Missa in E Minor / Benedicam Dominum / O Vos Omnes / Crucifixus A 8 / Trio Sonata in A Major" album is number 1 out of 19. On top of that, United States appears to be the country where this track was created. Missa in E Minor: Kyrie eleison I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa in E Minor: Kyrie eleison I by Antonio Lotti, Harvard University Choir, Harvard Baroque Chamber Orchestra, Murray Forbes Somerville to be Larghetto (rather broadly) because the track has a tempo of 61 テンポ, a half-time of 30テンポ, and a double-time of 122 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Son of God Mass: Kyrie meditation | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | G Minor | 1 | 6A | 126 BPM | ||
Laudate Jehovam omnes gentes (Psalm 117), TWV 7:25 | Georg Philipp Telemann, Allabastrina Choir, Allabastrina, Elena Sartori | A Major | 1 | 11B | 137 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
Missa "Mille Regretz": Agnus Dei I (Morales) | The Hilliard Ensemble | A Minor | 2 | 8A | 72 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Major | 3 | 2B | 91 BPM | ||
Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 82 BPM |