Johann Strauss II, André Rieu, Frédéric Jenniges, Johann Strauss Orchestra's 'Im Krapfenwald Opus 336 - Live Version' came out on January 1, 1996. The duration of Im Krapfenwald Opus 336 - Live Version is about 3 minutes long, at 3:21. Based on our data, "Im Krapfenwald Opus 336 - Live Version" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in André Rieu, Johann Strauss Orchestra's "In Concert" album is number 9 out of 17. On top of that, Netherlands appears to be the country where this track was created. Im Krapfenwald Opus 336 - Live Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Im Krapfenwald Opus 336 - Live Version by Johann Strauss II, André Rieu, Frédéric Jenniges, Johann Strauss Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust: Waltz | Charles Gounod, Slovak Radio Symphony Orchestra, Richard Hayman | A♭ Major | 1 | 4B | 118 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
For Ever, Polka schnell, Op. 193 | Josef Strauss, Slovak State Philharmonic Orchestra, Christian Pollack | G Major | 3 | 9B | 153 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 135 BPM | ||
Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
Hungarian March, Op. 24 (Arranged by John Glenesk Mortimer) | Philharmonic Wind Orchestra, Marc Reift Orchestra | F Major | 4 | 7B | 91 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM |