"Symphony No. 4 in A, Op.90 'Italian': II. Andante con moto" by Klaus Tennstedt, Berliner Philharmoniker was released on November 12, 2007. Since Symphony No. 4 in A, Op.90 'Italian': II. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 54 in the song's album "The Berlin Philharmonic on EMI". In this album, this song's track order is #41. Based on our statistics, Symphony No. 4 in A, Op.90 'Italian': II. Andante con moto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 4 in A, Op.90 'Italian': II. Andante con moto by Klaus Tennstedt, Berliner Philharmoniker having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: The Water Goblin, Op. 107, B. 195: I. Allegro vivo | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 0 | 9A | 141 BPM | ||
The Firebird Suite: Introduction (1919 version) | Igor Stravinsky, Klaus Tennstedt, London Philharmonic Orchestra | E Major | 1 | 12B | 81 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Reves | David Abramovitz, Claire Brua, Maurice Ravel | G Minor | 0 | 6A | 89 BPM | ||
Stabat Mater, FP 148: 1. Stabat Mater dolorosa | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 1 | 8A | 77 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | G Minor | 0 | 6A | 83 BPM | ||
Symphony No. 32 in G Major, K. 318: II. Andante | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Klaus Tennstedt | G Major | 1 | 9B | 86 BPM | ||
Piano Concerto For The Left Hand In D, M. 82: 1. Lento | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | D Major | 1 | 10B | 128 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | F Minor | 2 | 4A | 84 BPM |