"Missa: Kyrie (Pater Cuncta), Modo VIII" by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo was released on December 31, 1995. With Missa: Kyrie (Pater Cuncta), Modo VIII being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 25 in Cantate Domino, Alleluya by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Missa: Kyrie (Pater Cuncta), Modo VIII's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa: Kyrie (Pater Cuncta), Modo VIII by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Universi qui te expectant | Anonymous, Chœur de l'abbaye Notre-Dame de Timadeuc | A Minor | 1 | 8A | 130 BPM | ||
Antiphonae: Domun Tuam. Domus Mea. Haec Est. Bene Fundata. Lapides Pretiosi | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | D♭ Major | 1 | 3B | 128 BPM | ||
Canto Gregoriano IV, Cuaresma y Semana Santa: Attende, Domine | Coro De La Abadía Benedictina De Santo Domingo De Silos | A Major | 1 | 11B | 80 BPM | ||
The Body Of Christ | Kiev Chamber Choir | D♭ Major | 1 | 3B | 129 BPM | ||
Cunctipotens Genitor Deus | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
Sanctus (Mass 12) | The Monks Of Belmont Abbey | A Major | 1 | 11B | 129 BPM | ||
Canto Gregoriano IV, Cuaresma y Semana Santa: Vexilla Regis Prodeunt | Coro De La Abadía Benedictina De Santo Domingo De Silos | E Major | 1 | 12B | 89 BPM | ||
Service Of St. Benoit / Refrain | Canto Gregoriano | F Major | 0 | 7B | 72 BPM | ||
Maria Vidit Angelum | Cantos Gregorianos | A Minor | 0 | 8A | 73 BPM | ||
Feria tertia: Offertory. Intonuit de caelo | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | G Major | 1 | 9B | 128 BPM |