Kurt Weill, London Sinfonietta, David Atherton's 'Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5a. Tango-Ballad' came out on January 1, 1976. The duration of Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5a. Tango-Ballad is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5a. Tango-Ballad's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #6 out of 42 tracks. Based on our statistics, Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5a. Tango-Ballad's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5a. Tango-Ballad by Kurt Weill, London Sinfonietta, David Atherton has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5a. Tango-Ballad being at 136 テンポ, the half-time would be 68 テンポ with a double-time of 272 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laue Sommernacht - Vocal | Alma Mahler, Angelika Kirchschlager | C Minor | 3 | 5A | 133 BPM | ||
Die Dreigroschenoper, Act I: Siehst du den Mond über Soho? | Kurt Weill, Liane Augustin, Kurt Preger, Vienna State Opera Orchestra, F. Charles Adler | D♭ Minor | 2 | 12A | 139 BPM | ||
Concerto For Clarinet & String Orchestra | Benny Goodman, Aaron Copland | D Minor | 2 | 7A | 85 BPM | ||
7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) | Richard Wagner, Wiener Philharmoniker, Rudolf Kempe | A Major | 0 | 11B | 68 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
Das Rheingold: Vorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 0 | 10B | 78 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM |