Pyotr Ilyich Tchaikovsky, Nemanja Radulović, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel made "Violin and Orchestra Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo" available on September 22, 2017. Since Violin and Orchestra Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Tchaikovsky: Violin Concerto; Rococo Variations". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Violin and Orchestra Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Violin and Orchestra Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo by Pyotr Ilyich Tchaikovsky, Nemanja Radulović, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les saisons (The Seasons), Op. 37b: II. February: Carnival | Pyotr Ilyich Tchaikovsky, Ilya Rashkovsky | D Minor | 1 | 7A | 133 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto | Luigi Boccherini, György Éder, Danubius Quartet | A Major | 0 | 11B | 126 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Piano Sonata No.14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 0 | 12A | 139 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |