Orchestre sous la direction de Jacques Denjean, Richard Anthony made "Love Was Right Here All the Time (From "L'homme d'Istanbul")" available on April 2, 1997. The duration of Love Was Right Here All the Time (From "L'homme d'Istanbul") is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Love Was Right Here All the Time (From "L'homme d'Istanbul")'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Georges Garvarentz's "Musiques de films" album is number 14 out of 32. On top of that, France appears to be the country where this track was created. Based on our statistics, Love Was Right Here All the Time (From "L'homme d'Istanbul")'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Love Was Right Here All the Time (From "L'homme d'Istanbul") by Orchestre sous la direction de Jacques Denjean, Richard Anthony to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Visa pour l'amour | Luis Mariano, Annie Cordy | C Major | 5 | 8B | 82 BPM | ||
Pour Un Flirt | Michael Delpech | D Major | 6 | 10B | 110 BPM | ||
N'est-ce pas merveilleux? | Adamo | E♭ Major | 3 | 5B | 100 BPM | ||
Soumina | Crazy Horse | F Major | 4 | 7B | 116 BPM | ||
Marin | Petula Clark | D♭ Major | 2 | 3B | 125 BPM | ||
Tout Ce Qui Est Deviendra | Nicole Croisille | B♭ Minor | 4 | 3A | 146 BPM | ||
Quelque chose et moi | Gérard Lenorman | F Minor | 6 | 4A | 110 BPM | ||
Montevideo | Rina Ketty | A Major | 4 | 11B | 135 BPM | ||
Dire qu'il faudra mourir un jour - Version solo, 1965 | Georges Moustaki | D♭ Minor | 4 | 12A | 112 BPM | ||
Clopin-Clopant - Remastered | Joséphine Baker | E♭ Major | 3 | 5B | 67 BPM |