Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou's 'Cessate, omai cessate, RV 684: Ah ch'infelice sempre (Aria)' came out on May 31, 2019. With this song being about 5 minutes long, at 5:15, "Cessate, omai cessate, RV 684: Ah ch'infelice sempre (Aria)" by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: Arie e cantate per contralto by Antonio Vivaldi, Delphine Galou, Ottavio Dantone, Accademia Bizantina. The song's track number on the album is #2 out of 19 tracks. In terms of popularity, Cessate, omai cessate, RV 684: Ah ch'infelice sempre (Aria) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Cessate, omai cessate, RV 684: Ah ch'infelice sempre (Aria) by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cessate, omai cessate, RV 684: Ah ch'infelice sempre (Aria) being at 107 テンポ, the half-time would be 54 テンポ with a double-time of 214 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor: Act III: Spargi d'amaro pianto | Gaetano Donizetti, Pretty Yende, Giacomo Sagripanti | E♭ Major | 2 | 5B | 121 BPM | ||
Diverse bizzarrie sopra la vecchia sarabanda o pur Ciaccona | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | B Major | 1 | 1B | 136 BPM | ||
Il trionfo della divina Giustizia ne' tormente e morte di Gesù Cristo: “Per pietà, turba feroce” | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris | G Major | 0 | 9B | 62 BPM | ||
Concerto For 2 Mandolins In G Major, RV 532: III. Allegro | Budapest Strings, Bela Sztankovitz, Zoltan Tokos, Antonio Vivaldi | D Major | 2 | 10B | 149 BPM | ||
Germanicus: Rimembranza crudel | Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle | D Major | 1 | 10B | 93 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Requiem aeternam | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | D Major | 2 | 10B | 107 BPM | ||
Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi) | Accademia Bizantina | F♯ Minor | 3 | 11A | 120 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | D♭ Major | 2 | 3B | 85 BPM | ||
Mondonville : In exitu Israel : "Jordanis conversus est retrorsum" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | F Minor | 4 | 4A | 144 BPM |