Johann Strauss II, Samuel Pegg, Julie Berthollet, Gavin Greenaway, Puy du Fou Orchestra's 'La valse des noces (Arr. Samuel Pegg d'après Le Beau Danube bleu, Op. 314 de Johann Strauss II)' came out on September 2, 2022. The duration of La valse des noces (Arr. Samuel Pegg d'après Le Beau Danube bleu, Op. 314 de Johann Strauss II) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. La valse des noces (Arr. Samuel Pegg d'après Le Beau Danube bleu, Op. 314 de Johann Strauss II)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Puy du Fou's "Les Noces de Feu (Les musiques du spectacle, extraits)" album is number 8 out of 11. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, La valse des noces (Arr. Samuel Pegg d'après Le Beau Danube bleu, Op. 314 de Johann Strauss II) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La valse des noces (Arr. Samuel Pegg d'après Le Beau Danube bleu, Op. 314 de Johann Strauss II) by Johann Strauss II, Samuel Pegg, Julie Berthollet, Gavin Greenaway, Puy du Fou Orchestra to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: Ave Maria, D. 839 | Franz Schubert, Julie Berthollet, Guillaume Vincent | B♭ Major | 1 | 6B | 134 BPM | ||
Excalibur - Main Theme Ouverture | Fabrice Aboulker | A Minor | 2 | 8A | 60 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
L’amour à l’hôpital | Clare Manchon, Olivier Manchon | D♭ Major | 1 | 3B | 114 BPM | ||
La Complainte De L'aveugle | Wojciech Kilar, L'Orchestre Symphonique De La Radio Et De La Télévision Polonaise, Stanisław Wisłocki | A Major | 2 | 11B | 105 BPM | ||
Stoick Saves Hiccup | John Powell, Gavin Greenaway | C Minor | 2 | 5A | 82 BPM | ||
Lechuzas y Búhos Reales - La Música del Espectáculo "Puy du Fou - España" | Samuel Pegg, Nathan Stornetta | D♭ Major | 2 | 3B | 73 BPM | ||
Nymphes et sylphides (Arr. Camille & Julie Berthollet & Martin Batchelar d'après Le Lac des Cygnes, Op. 20 de Pyotr Ilyich Tchaikovsky) | Camille Berthollet, Julie Berthollet, Martin Batchelar, Pyotr Ilyich Tchaikovsky, Gavin Greenaway, Puy du Fou Orchestra | F♯ Minor | 5 | 11A | 128 BPM | ||
Stealing Batteries for the Radio | Gavin Greenaway | A Minor | 5 | 8A | 93 BPM | ||
Humoresque en sol bémol majeur | Antonín Dvořák, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | G Major | 1 | 9B | 108 BPM |