Georg Philipp Telemann, Enea Leone's 'Fantasia for Violin No. 7 in E-Flat Major, TWV 40:20 (Arr. for Guitar): I. Dolce' came out on May 5, 2017. The duration of Fantasia for Violin No. 7 in E-Flat Major, TWV 40:20 (Arr. for Guitar): I. Dolce is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Fantasia for Violin No. 7 in E-Flat Major, TWV 40:20 (Arr. for Guitar): I. Dolce's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 16 in Bach, Roman, Scarlatti, Telemann & Weiss: Works Arranged for Guitar by Enea Leone. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Fantasia for Violin No. 7 in E-Flat Major, TWV 40:20 (Arr. for Guitar): I. Dolce is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fantasia for Violin No. 7 in E-Flat Major, TWV 40:20 (Arr. for Guitar): I. Dolce by Georg Philipp Telemann, Enea Leone is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM | ||
Concerto for 2 Flutes, Violin & Cello in D Major, TWV 54:D1: III. Allegro | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Allison Nyquist, Stephanie Vial, Indianapolis Baroque Orchestra | D♭ Major | 1 | 3B | 115 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM |