"Liturgy of St. John Chrysostom for Chorus, Op. 31: IX. Ektenia of the Prothesis "The Suppliant Ektenya..."" by Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia was released on January 1, 1993. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Rachmaninoff: Liturgy of St. John Chrysostom, Op. 31 - O Mother of God; Vigilantly Praying - Chorus of Spirit - Panteley the Healer". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Liturgy of St. John Chrysostom for Chorus, Op. 31: IX. Ektenia of the Prothesis "The Suppliant Ektenya..." is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liturgy of St. John Chrysostom for Chorus, Op. 31: IX. Ektenia of the Prothesis "The Suppliant Ektenya..." by Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse for Piano in D-Flat Major | Mily Balakirev, Christian Spring | D♭ Major | 0 | 3B | 80 BPM | ||
Truman Sleeps - From “The Truman Show” / Short Version | Philip Glass, Valentina Lisitsa | A♭ Major | 0 | 4B | 95 BPM | ||
Kolokola (The Bells), Op. 35: I. Allegro, ma non tanto | Sergei Rachmaninoff, Oleg Melnikov, RTÉ Philharmonic Choir, Helen Field, Ivan Choupenitch, RTÉ National Symphony Orchestra | D♭ Major | 1 | 3B | 123 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |