"Nonsense: C'era un vecchio musicale" by Orquesta y Coro de la Comunidad de Madrid, Goffredo Petrassi, Miguel Groba was released on October 17, 2023. With Nonsense: C'era un vecchio musicale being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of X Aniversario del Coro de la Comunidad de Madrid by Orquesta y Coro de la Comunidad de Madrid. The song's track number on the album is #21 out of 25 tracks. Nonsense: C'era un vecchio musicale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nonsense: C'era un vecchio musicale by Orquesta y Coro de la Comunidad de Madrid, Goffredo Petrassi, Miguel Groba has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Nonsense: C'era un vecchio musicale being at 66 テンポ, the half-time would be 33 テンポ with a double-time of 132 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le lac des cygnes, Op. 20 ; TH 12, Act. II, No. 13: Danse des cygnes | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Wolfgang Sawallisch | B Minor | 5 | 10A | 94 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM | ||
La Dolores | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría | A Major | 3 | 11B | 112 BPM | ||
Vita Tacita | Emilio Aragón, José Antonio López, Marco Berrini, José Ramón Encinar, Orquesta y Coro de la Comunidad de Madrid | C Minor | 1 | 5A | 135 BPM | ||
Pervigilia Aurorae | Emilio Aragón, José Antonio López, Marco Berrini, José Ramón Encinar, Orquesta y Coro de la Comunidad de Madrid | F Major | 2 | 7B | 105 BPM | ||
12 Songs, Op. 21: VII. Zdes' Khorosho (Orchestral Version) | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Major | 0 | 11B | 76 BPM | ||
Elisabetta, regina d'inghilterra: Sinfonia | Gioachino Rossini, Cracow Philharmonic Orchestra, Antonino Fogliani | E Major | 7 | 12B | 119 BPM | ||
Jesus of Nazareth - Epic Orchestral Version | Stavros Kleisiaris | E Minor | 1 | 9A | 140 BPM | ||
La Traviata, Act I: Si ridestra in ciel l'aurora | Giuseppe Verdi, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Biagio Pizzuti, Alexander Köpeczy, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | A♭ Major | 4 | 4B | 176 BPM | ||
Fantasia dall'Italia: "Nel cor più non mi sento" dalla Bella Molinara di Giovanni Paisiello, Op. 4: VIII. Variazione VI Finale presto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | G Major | 5 | 9B | 80 BPM |