On September 23, 1994, the song "Prelude In C With Ave Maria From The Well-Tempered Clavier" was released by Johann Sebastian Bach, Charles Gounod, Gayle Levant, Tommy Morgan. The duration of Prelude In C With Ave Maria From The Well-Tempered Clavier is about 3 minutes long, at 3:21. Based on our data, "Prelude In C With Ave Maria From The Well-Tempered Clavier" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "The Bach Variations". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Prelude In C With Ave Maria From The Well-Tempered Clavier's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Prelude In C With Ave Maria From The Well-Tempered Clavier by Johann Sebastian Bach, Charles Gounod, Gayle Levant, Tommy Morgan having a テンポ of 122 with a half-time of 61 テンポ and a double-time of 244 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
The Wooing Of Étaín | Karl Jenkins, Adiemus, Davy Spillane, Pamela Thorby, Martin Taylor, Jody Jenkins, Adiemus Orchestra, Miriam Stockley, Mary Carewe | G Major | 3 | 9B | 138 BPM | ||
The Ash Grove | Anne Trenning | G Major | 2 | 9B | 116 BPM | ||
3 Gymnopédies: Gymnopedie No. 1 | Erik Satie, Klara Kormendi | G Major | 0 | 9B | 99 BPM | ||
Sundance | Michael Gettel | C Major | 4 | 8B | 99 BPM | ||
Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Moon Run | Trapezoid | G Minor | 2 | 6A | 125 BPM |