"Hoddinott: Noctis Equi, Op. 132: II. Presto - Cadenza - Andante - Adagio" by Alun Hoddinott, Mstislav Rostropovich, Kent Nagano, London Symphony Orchestra was released on 1990. Hoddinott: Noctis Equi, Op. 132: II. Presto - Cadenza - Andante - Adagio appears to be safe for all ages as it is not explicit. The track order of this song in Mstislav Rostropovich's "Milhaud, Honegger, Hoddinott & Moret: Works for Cello and Orchestra" album is number 8 out of 8. In terms of popularity, Hoddinott: Noctis Equi, Op. 132: II. Presto - Cadenza - Andante - Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hoddinott: Noctis Equi, Op. 132: II. Presto - Cadenza - Andante - Adagio by Alun Hoddinott, Mstislav Rostropovich, Kent Nagano, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Minor, Op. 125 "Choral": IVb. Allegro assai ("An die Freude" Instrumental) | Ludwig van Beethoven, Ukrainian Freedom Orchestra, Keri-Lynn Wilson | D Major | 0 | 10B | 77 BPM | ||
Violin Concerto: III. Passacaglia. Andante - Moderato - Più allegro - Allegro vivace - Subito presto - a tempo, minacciando - Allegro molto - Adagio - Più adagio - Ancora meno mosso | Steve Elcock, Zoë Beyers, Kenneth Woods, English Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell | Robert Schumann, Otto Klemperer, New Philharmonia Orchestra | D Major | 3 | 10B | 113 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 3 in F Major (orch. J. Brahms) | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F Major | 0 | 7B | 138 BPM | ||
Shchedrin: Carmen Suite: XI. Adagio (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Suite: Cinque Port: IV. Song 2 (The Seadog's Song) | Carey Blyton, Noel Gay, Richard Addinsell, Mansel Thomas, John Fox, David Morgan, Philip lane, Alun Hoddinott, Anthony Hedges, Royal Ballet Sinfonia | E♭ Major | 1 | 5B | 127 BPM | ||
Concerto Grosso: Intrada | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | G Major | 3 | 9B | 78 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM |