On March 1, 2010, the song "Can Can" was released by Jacques Offenbach, Helmuth Brandenburg. The duration of Can Can is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Can Can's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Operas Operetta Overtures, Operetten Opern Ouvertüren". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Can Can is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Can Can by Jacques Offenbach, Helmuth Brandenburg having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora: Amor ti vieta | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Major | 1 | 11B | 83 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Orphée aux enfers, ACT 2, Quatrième tableau: les Enfers: Allons, ma belle bacchante (Cupidon/Venus/Choeur) | Jacques Offenbach, Patricia Petibon, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Minor | 0 | 8A | 163 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Ah! Pauvre Actéon! (Diane/Cupidon/Junon/Jupiter/Venus) | Jacques Offenbach, Laurent Naouri/Patricia Petibon/Jennifer Smith/Véronique Gens/Lydie Pruvot/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 1 | 9B | 76 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Hummel: Trumpet Concerto In E Flat - Iii Rondo | Johann Nepomuk Hummel, Tine Thing Helseth | E♭ Major | 2 | 5B | 144 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, Orchester der Deutschen Oper Berlin, Karl Böhm | D Major | 2 | 10B | 142 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM |