Gioachino Rossini, Gabriel Bacquier/Nicolai Gedda/Royal Philharmonic Orchestra/Lamberto Gardelli's 'Rossini: Guillaume Tell, Act 1 Scene 5: No. 2, Duo, "Où vas-tu?" (Guillaume, Arnold)' came out on 1973. With this song being about 5 minutes long, at 5:07, "Rossini: Guillaume Tell, Act 1 Scene 5: No. 2, Duo, "Où vas-tu?" (Guillaume, Arnold)" by Gioachino Rossini, Gabriel Bacquier/Nicolai Gedda/Royal Philharmonic Orchestra/Lamberto Gardelli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 76 in the song's album "Rossini: Guillaume Tell". In this album, this song's track order is #9. Based on our statistics, Rossini: Guillaume Tell, Act 1 Scene 5: No. 2, Duo, "Où vas-tu?" (Guillaume, Arnold)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossini: Guillaume Tell, Act 1 Scene 5: No. 2, Duo, "Où vas-tu?" (Guillaume, Arnold) by Gioachino Rossini, Gabriel Bacquier/Nicolai Gedda/Royal Philharmonic Orchestra/Lamberto Gardelli having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, WD 31, Act 2 Scene 2: No. 14, Couplets, "Votre toast, je peux vous le rendre" (Escamillo, Frasquita, Mercedes, Carmen, Chorus) | Georges Bizet, Robert Massard/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Major | 3 | 7B | 116 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | E Major | 5 | 12B | 85 BPM | ||
Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
Can-Can From Orpheus In The Underworld | Jacques Offenbach, Royal Philharmonic Orchestra, Philip Ellis | D Major | 6 | 10B | 165 BPM | ||
Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | G Major | 3 | 9B | 99 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Strauss Jr., J.: Frühlingsstimmen, Op. 410 (Excerpt) | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | B♭ Major | 1 | 6B | 112 BPM |